toril moi writing style dissertation
Moi, Toril. The Kristeva Reader. Oxford and New York: Blackwell, 1987. Acknowledging the other: Reading, writing, and living in the mandarins, Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory, Thinking through examples: What ordinary language philosophy can do for feminist theory, Fem røde epler: Fra navn til bruk. Wos-lite, doi:10.3138/md.S89. Winter (2013): 205–10. Edited by Toril Moi. It has also been helpful (although not necessary) to read before I approach the texts written by the feminist themselves. Scopus, doi:10.1093/oso/9780190608811.003.0006. Character Three Inquiries in Literary Studies. “Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux).” Fem Kvinner, Tre Menn Og En Datter Skriver Om Vigdis Hjorth, edited by Eva Grøner, Cappelen Damm, 2019, pp. p: 919 660.3050 46, no. https://doi.org/10.3138/md.S89. Moi, Toril. In her first full-scale engagement with feminist theory since her internationally renowned Sexual/Textual Politics (1985), Toril Moi challenges the dominant trends in contemporary feminist and cultural thought, arguing for a feminism of freedom inspired by Simone de Beauvoir's The Second Sex. Moi, Toril. I have finally added a link to my informal paper on writing, given at PAL’s “Writing Is Thinking II” workshop on Friday March 1, 2013. writing. Toril Moi enjoys working with students at all levels. or J.D./Ph.D. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations], Hedda's Silences: Beauty and Despair in Hedda Gabler, Shame and Openness: On Karl Ove Knausgård, Henrik Ibsen and idealism: Rethinking literary history of the XIX century, The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase, Response to eight respondents to my book Revolution of the Ordinary, Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015], Dr. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations].” Edda 114, no. Toril Moi also works on theater. She is the editor of The Kristeva Reader (1986), and of French Feminst Thought (1987). Moi, Toril. Dupont, N., and T. Moi. And Other Essays (1999), republished in a shorter version as Sex, Gender and the Body (2005). Art., University of Bergen (Norway) 1985, Mag. Moi, T. “Acknowledging the other: Reading, writing, and living in the mandarins.” Yale French Studies, vol. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century. Full Text. Full Text. Oxford University Press, 2006. “Introduction.” New Literary History, vol. Moi, Toril. Toril Moi leser A.O. 299–314. https://doi.org/10.1080/17409290600560229. Toril Moi also works on theater. 4, 2014, pp. Oxford University Press, 2006. Moi, T. “Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory.” New Literary History, vol. Edited by T. Moi, Blackwell, 1987. 348–53. Moi, T. “‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap.” Å Forsvinne i Teksten, edited by L. Køltzow and H. P. Blad, Flamme Forlag, 2015. It is now available in paperback. Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. Moi, T. “Ibsen’s Late Style.” In Henrik Ibsen, The Master Builder and Other Plays. She also continues to work on Henrik Ibsen's plays. Trios, 2019. Moi, T. What Is a Woman? London and New York: Methuen, 1985. Moi, T. “'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique.” Rethinking Critique, edited by E. Anker and R. Felski, Duke University Press, 2016. Introduction. v–xiii. Alix-Garcia, J., et al. 4, 2017, p. iii. TORIL MOI. v–xiii. Scopus, doi:10.4324/9781315846163. Scopus, doi:10.1353/nlh.2015.0014. And what does it mean to be a feminist today? Moi, Toril. “Hedda's Silences: Beauty and Despair in Hedda Gabler.” Modern Drama, vol. Moi, T. Sex, Gender and the Body: The Student Edition of What Is a Woman? 348–53. Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. “Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015].” Translated by Lea Larin and Roosi Talvik. Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. 24–52. The book won the MLA's Aldo and Jeanne Scaglione Prize for the best book in Comparative Literary Studies in 2007. Oslo: Nasjonalbiblioteket, 2016. Full Text. “The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase.” Contemporary French and Francophone Studies, vol. “The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase.” Contemporary French and Francophone Studies, vol. 2 (2015): v–xiii. Moi, T. What Is a Woman? 152–73. 62, no. Vinje [Toril Moi reads A. O. Vinje], Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. It is now available in paperback. 2019-January, no. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century. Moi, T. Simone de Beauvoir: The Making of an Intellectual Woman. Moi, T. Sexual/Textual Politics: Feminist Literary Theory. 56, no. 33–54. 44, 2013, pp. Art., University of Bergen (Norway) 1985, Mag. Moi, T. “‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap.” In Å Forsvinne i Teksten, edited by L. Køltzow and H. P. Blad. Moi, T. “Afterword: How the French Read.” New Literary History, vol. Toril Moi 1953- Norwegian critic, essayist, editor, and biographer. 77–88. Winter, 2013, pp. “Describing My Struggle.” The Point, December 27, 2017. Edited by Toril Moi, Oxford: Blackwell, and New York: Columbia, 1986. Moi, T. “Acknowledging the other: Reading, writing, and living in the mandarins.” Yale French Studies, vol. Moi, Toril. art., University of Bergen (Norway) 1980. Verbivoracious Press, 2016. She started her academic career as a student at the University of Bergen, where she studied and graduated in 1985 with a dissertation on gender theory and literary science. Moi, T. “'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique.” Rethinking Critique, edited by E. Anker and R. Felski, Duke University Press, 2016. In 2006, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosphy, was published in English by Oxford University Press and in Norwegian by Pax Forlag (Oslo). Scopus, doi:10.1093/oso/9780190467876.003.0008. “The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase.” Contemporary French and Francophone Studies 10, no. Scopus, doi:10.1080/17409290600560229. Prof. Toril Moi is a professor of literature, romance studies, English, theater science and philosophy at Duke University, where she is also head of The Center for Philosophy, Arts, and Literature. VII–XIV. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations].” Edda, vol. Oxford: Blackwell, and New York: Columbia, 1986. “Response to eight respondents to my book Revolution of the Ordinary.” Nonsite.Org, Emory University, 9 May 2019. Crossref, doi:10.1353/nlh.2015.0012. : Blackwell, 1994. 3, Johns Hopkins University Press, June 2015. Trios, 2019. 2015, pp. Moi, Toril. Moi, Toril. 2, Mar. “Fem røde epler: Fra navn til bruk. 4, 2017, p. iii. She also continues to work on Henrik Ibsen's plays. “Describing My Struggle.” The Point, 27 Dec. 2017. 100–15. Sirp: Eesti Kultuurileht, July 3, 2015. 4, Dec. 2007, pp. Moi, Toril. Toril Moi enjoys working with students at all levels. Moi, Toril. Moi, T. “Afterword: How the French Read.” New Literary History, vol. Durham, NC 27708 Moi, Toril. University of Chicago Press, 2017. Winter, 2013, pp. 3–5. Spanish, Latin American, and Latino/a Studies Major, Opportunities for Underrepresented Groups, Spanish, Latin American and Latino/a Studies, Decolonial Thinking & Postcolonial Studies, Modernism, Postmodernism & Contemporaneity, Spanish, Latin American, and Latino/a Studies, Character Three Inquiries in Literary Studies, Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell, Toril Moi leser A.O. “Foreword.” The Utopian, by Michael Westlake, Verbivoracious Press, 2016, pp. Full Text. Moi, T. “Thinking through examples: What ordinary language philosophy can do for feminist theory.” New Literary History, vol. Latest “Writing for Others” May 7, 2013 No Comments. 135–136, Jan. 2019, pp. 3, Johns Hopkins University Press, June 2015. Trios, 2019. 100–15. Sex, Gender and the Body: The Student Edition of What Is a Woman? art., University of Bergen (Norway) 1980. Vol. Full Text. “Response to eight respondents to my book Revolution of the Ordinary.” Nonsite.Org, Emory University, 9 May 2019. Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. Sex, Gender and the Body: The Student Edition of What Is a Woman? Acknowledging the other: Reading, writing, and living in the mandarins, Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory, Thinking through examples: What ordinary language philosophy can do for feminist theory, Fem røde epler: Fra navn til bruk. Various, J. French Feminist Thought. Moi, Toril. Moi, T. “‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap.” Å Forsvinne i Teksten, edited by L. Køltzow and H. P. Blad, Flamme Forlag, 2015. 2, Mar. Moi, T. Sexual/Textual Politics: Feminist Literary Theory. 4 (2013): 434–56. 2015, pp. Moi, Toril. 127–40. The book won the MLA's Aldo and Jeanne Scaglione Prize for the best book in Comparative Literary Studies in 2007. Chicago: University of Chicago Press, 2019. Full Text, Moi, T. “Hedda’s words: The work of language in Hedda Gabler.” Ibsen’s Hedda Gabler: Philosophical Perspectives, 2017, pp. 46, no. Moi, T. “Shame and Openness: On Karl Ove Knausgård.” Translated by T. Moi and A. F. Lunde. Toril Mois spalter i Morgenbladet og Dagens Næringsliv; Artikler og bokanmeldelser på norsk; Menu. In 2006, Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosphy, was published in English by Oxford University Press and in Norwegian by Pax Forlag (Oslo). 114, no. 135–136 (January 1, 2019): 100–115. Full Text. VII–XIV. Her books include Sexual/Textual Politics: Feminist Literary Theory (1985; 2nd edition 2002), Simone de Beauvoir: The Making of an Intellectual Woman (1994; second edition with a major new introduction 2008); and What Is a Woman? art., University of Bergen (Norway) 1980. 135–136, Jan. 2019, pp. Vinje [Toril Moi reads A. O. Vinje]. University of Chicago Press, 2017. 152–73. Scopus, doi:10.1093/oso/9780190608811.003.0006. The author shows how Simone de Beauvoir became the leading feminist thinker and emblematic intellectual woman of the 20th century. 101 Friedl Building Oxford and New York: Oxford University Press, 2005. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century. Edited by T. Moi. In her native Norway, Toril Moi writes a regular column for the cultural newspaper Morgenbladet. Moi, T. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Full Text, Bauer, Nancy, et al. Toril Moi now works on three projects: (1) The Emergence of European Modernism 1870-1914; (2) Femisist Theory and Women Writers; and (3) "Pictures of Language": on the vision of language in ordinary language philosophy. Her Simone de Full Text. Moi, Toril. Moi, T. “Stumhet og kjærlighet: En lesning av Amtmandens Døttre [Muteness and Love: A Reading of The District Governor’s Daughters].” Å Bli En Stemme: Nye Studier i Camilla Colletts Forfatterskap, edited by Trond Haugen, Novus Forlag, 2014, pp. 10, no. Oxford University Press, 1999. T: (919) 684.4127 46, no. Toril, M. “Henrik Ibsen and idealism: Rethinking literary history of the XIX century.” Etudes Germaniques 62, no. Scopus, doi:10.1093/oso/9780190467876.003.0008. 46, no. “Hedda's Silences: Beauty and Despair in Hedda Gabler.” Modern Drama 56, no. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century. 62, no. Toril. 77–88. Showalter, E., and T. Moi. f: 919 660.3060philosophy@duke.edu, Box 90670, 108 Friedl Building, East Campus, Durham, NC 27708-0403, Certificate: Philosophy, Politics & Economics, J.D./M.A. Oxford University Press, 2006. Anderson, Amanda, et al. Stumhet og kjærlighet: En lesning av Amtmandens Døttre [Muteness and Love: A Reading of The District Governor’s Daughters]. Duke University Press, 2016. “Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux).” In Fem Kvinner, Tre Menn Og En Datter Skriver Om Vigdis Hjorth, edited by Eva Grøner, 77–88. and Other Essays. 4 (December 1, 2007): 915–32. Scopus, doi:10.1086/693389. Previous Post Next Post. Degree Requirements, Future Research Statement & Oral Examination, Character Three Inquiries in Literary Studies, Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell, Toril Moi leser A.O. 3 (June 1, 2015). Sex, Gender and the Body: The Student Edition of What Is a Woman? Various, J. French Feminist Thought. Moi, Toril. Edited by T. Moi, Blackwell, 1987. Full Text. “Elaine showalter a literature of their own.” In Feminist Literary Criticism, 24–52, 2014. https://doi.org/10.4324/9781315846163. I have used this book to play catch-up and educate myself about all the feminism I have never been taught in my studies and it has served me well in this regard. Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell. Oxford and New York: Oxford University Press, 2005. Simone de Beauvoir: The Making of an Intellectual Woman, Sexual/Textual Politics: Feminist Literary Theory, Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux), Hedda’s words: The work of language in Hedda Gabler, 'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique, ‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap, Elaine showalter a literature of their own. Penguin Books, 2014. Moi, Toril. Moi, T. Sex, Gender and the Body: The Student Edition of What Is a Woman? 1–76. 299–314. 2, Dec. 2006, pp. 114, no. F: (919) 684.3598, 1316 Campus Drive, 108 Friedl Building, Durham, NC 27708-0403, Box 90670, 108 Friedl Building, East Campus, Durham, NC 27708-0403, Honors Thesis & Graduation with Distinction, Statement on Harassment and Discrimination, Character Three Inquiries in Literary Studies, Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell, Toril Moi leser A.O. Oxford and New York: Oxford and New York: Oxford University Press, 2005. 2 (March 1, 2015): 191–216. Moi, Toril. Toril Moi leser A.O. 4, 2013, pp. Vinje [Toril Moi reads A. O. Vinje]. Toril Moi also works on theater. Edited by Toril Moi, Oxford: Blackwell, and New York: Columbia, 1986. Moi, T. “Thinking through examples: What ordinary language philosophy can do for feminist theory.” New Literary History, vol. 103–13. Vinje [Toril Moi reads A. O. Vinje], Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Showalter, E., and T. Moi. “Fem røde epler: Fra navn til bruk. “Describing My Struggle.” The Point, 27 Dec. 2017. Dupont, N., and T. Moi. 2, Project Muse, 2015, pp. Campus Box 90670 Kristeva, Julia. Methuen, 1985. Art., University of Bergen (Norway) 1985, Mag. Blackwell, 1994. Alix-Garcia, J., D. Fullerton, S. M. Olmstead, and C. Timmins. Full Text, Bauer, Nancy, Sarah Beckwith, Alice Crary, Sandra Laugier, Toril Moi, and Linda Zerilli. Various, J. French Feminist Thought. and Other Essays. Moi, T. “Shame and Openness: On Karl Ove Knausgård.” Salmagundi Magazine, translated by T. Moi and A. F. Lunde, vol. Anderson, Amanda, Rita Felski, and Toril Moi. 205–10. 434–56. Moi, Toril. The Kristeva Reader. Her books include Sexual/Textual Politics: Feminist Literary Theory (1985; 2nd edition 2002), Simone de Beauvoir: The Making of an Intellectual Woman (1994; second edition with a major new introduction 2008); and What Is a Woman? Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. Nasjonalbiblioteket, 2016. Full Text. The following entry presents an overview of Moi's career through 2001. Toril Moi leser A.O. Nasjonalbiblioteket, 2016. Full Text, Moi, T. “Hedda’s words: The work of language in Hedda Gabler.” In Ibsen’s Hedda Gabler: Philosophical Perspectives, 152–73, 2017. https://doi.org/10.1093/oso/9780190467876.003.0008. 2, Project Muse, 2015, pp. Durham, NC 27708 1316 Campus Drive Toril Moi also works on theater. Toril, M. “Henrik Ibsen and idealism: Rethinking literary history of the XIX century.” Etudes Germaniques, vol. 191–216. Dupont, N., and T. Moi. Full Text, Bauer, Nancy, et al. Scopus, doi:10.1086/693389. She won Duke's Univeristy Scholar/Teacher of the Year Award in 1998, and the Dean's Award for Excellence in Mentoring of Graduate Students in 2008. Her most re cent book is Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy (Ox ford UP, 2006), winner of the MLA's Aldo and Jeanne Scaglione Prize for Com parative Literary Studies. Toril Moi also works on theater. Alix-Garcia, J., et al. “Introduction.” New Literary History, vol. Moi, T. “Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory.” New Literary History 46, no. And Other Essays (1999), republished in a shorter version as Sex, Gender and the Body (2005). Moi, T. Simone de Beauvoir: The Making of an Intellectual Woman. What is a woman? Moi, T. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Moi, Toril. Essays and criticism on Toril Moi - Critical Essays. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations], Hedda's Silences: Beauty and Despair in Hedda Gabler, Shame and Openness: On Karl Ove Knausgård, Henrik Ibsen and idealism: Rethinking literary history of the XIX century, The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase, Response to eight respondents to my book Revolution of the Ordinary, Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015], Dr. Vinje [Toril Moi reads A. O. Vinje]. Moi, T. Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Oxford & Cambridge, Mass. Moi, Toril. Full Text, Moi, T. “The adulteress wife.” On Ne Nait Pas Femme: On Le Devient the Life of a Sentence, 2017, pp. 46, no. Full Text, Moi, T. “The adulteress wife.” On Ne Nait Pas Femme: On Le Devient the Life of a Sentence, 2017, pp. Methuen, 1985. Campus Box 90743 434–56. She won Duke's Univeristy Scholar/Teacher of the Year Award in 1998, and the Dean's Award for Excellence in Mentoring of Graduate Students in 2008. Moi, T. “Afterword: How the French Read.” New Literary History 44 (2013): 299–314. “Foreword.” In The Utopian, by Michael Westlake, VII–XIV. Moi astutely and succinctly summarizes the arguments and styles of few feminists she chooses to discuss. Character Three Inquiries in Literary Studies. Moi, T. “Stumhet og kjærlighet: En lesning av Amtmandens Døttre [Muteness and Love: A Reading of The District Governor’s Daughters].” Å Bli En Stemme: Nye Studier i Camilla Colletts Forfatterskap, edited by Trond Haugen, Novus Forlag, 2014, pp. Oxford and New York: Oxford University Press, 1999. Moi, Toril. Moi, T. “'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique.” In Rethinking Critique, edited by E. Anker and R. Felski. 4 (2014): 348–53. Moi, T. Simone de Beauvoir: The Making of an Intellectual Woman. 107, no. Full Text. In her work on literature and theater she is particularly interested in the emergence of modernism in the late 19th century and early 20th century. “Foreword.” The Utopian, by Michael Westlake, Verbivoracious Press, 2016, pp. https://doi.org/10.1353/nlh.2015.0012. Moi, T. “Acknowledging the other: Reading, writing, and living in the mandarins.” Yale French Studies 2019-January, no. Anderson, Amanda, et al. 915–32. Emory University, May 9, 2019. Moi, Toril. “Introduction,” 4:iii, 2017. https://doi.org/10.1086/693389. 3–5. Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell. 103–13. Moi, T. “Ibsen’s Late Style.” Henrik Ibsen, The Master Builder and Other Plays, Penguin Books, 2014. Moi, Toril. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations].” Edda, vol. Simone de Beauvoir: The Making of an Intellectual Woman, Sexual/Textual Politics: Feminist Literary Theory, Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux), Hedda’s words: The work of language in Hedda Gabler, https://doi.org/10.1093/oso/9780190467876.003.0008, https://doi.org/10.1093/oso/9780190608811.003.0006, 'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique, ‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap, Elaine showalter a literature of their own, Acknowledging the other: Reading, writing, and living in the mandarins, Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory, Thinking through examples: What ordinary language philosophy can do for feminist theory, Fem røde epler: Fra navn til bruk. Revolution of the Ordinary Literary Studies After Wittgenstein, Austin, and Cavell. 4, 2013, pp. Scopus, doi:10.1080/17409290600560229. 46, no. 127–40. Character Three Inquiries in Literary Studies. 4, Dec. 2007, pp. Vol. 2, Dec. 2006, pp. University of Chicago Press, 2017. “Fem røde epler: Fra navn til bruk. 2019-January, no. Moi, T. “Shame and Openness: On Karl Ove Knausgård.” Salmagundi Magazine, translated by T. Moi and A. F. Lunde, vol. 915–32. 191–216. Moi, Toril. The Kristeva Reader. “Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux).” Fem Kvinner, Tre Menn Og En Datter Skriver Om Vigdis Hjorth, edited by Eva Grøner, Cappelen Damm, 2019, pp. Toril Moi also works on theater. She is the editor of The Kristeva Reader (1986), and of French Feminst Thought (1987). Simone de Beauvoir: The Making of an Intellectual Woman, Sexual/Textual Politics: Feminist Literary Theory, Lidenskapens grammatikk: Om Vigdis Hjorth og Annie Ernaux (The Grammar of Passion: About Vigdis Hjorth and Annie Ernaux), Hedda’s words: The work of language in Hedda Gabler, 'Nothing Is Hidden’: From Confusion to Clarity, Or Wittgenstein on Critique, ‘Øyeblikkets bedrageriske fylde’: Handling, språk og eksistens i Liv Køltzows forfatterskap. “Introduction & Rethinking Character.” Character Three Inquiries in Literary Studies, University of Chicago Press, 2019, pp. Blackwell, 1994. 33–54. Toril, M. “Henrik Ibsen and idealism: Rethinking literary history of the XIX century.” Etudes Germaniques, vol. Oxford University Press, 1999. Moi, Toril. 205–10. “Hedda's Silences: Beauty and Despair in Hedda Gabler.” Modern Drama, vol. 4, 2014, pp. “Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015].” Sirp: Eesti Kultuurileht, translated by Lea Larin and Roosi Talvik, 3 July 2015, pp. Kristeva, Julia. “Introduction & Rethinking Character.” Character Three Inquiries in Literary Studies, University of Chicago Press, 2019, pp. Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. 44, 2013, pp. “Introduction & Rethinking Character.” In Character Three Inquiries in Literary Studies, 1–76. Dr. En kommentar til §1 i Wittgensteins Filosofiske undersøkelser” [Five red apples: from names to use, A commentary on §1 in Wittgenstein’s Philosophical Investigations], Shame and Openness: On Karl Ove Knausgård, Hedda's Silences: Beauty and Despair in Hedda Gabler, Henrik Ibsen and idealism: Rethinking literary history of the XIX century, The poetic piping of Christian Prigent: Ventiloquits framework and glottic phrase, https://doi.org/10.1080/17409290600560229, Response to eight respondents to my book Revolution of the Ordinary, Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015]. In her native Norway, Toril Moi writes a regular column for the cultural newspaper Morgenbladet. Moi, T. “Thinking through examples: What ordinary language philosophy can do for feminist theory.” New Literary History 46, no. Kristeva, Julia. Salmagundi Magazine 107, no. Full Text. Full Text, Moi, T. “Hedda’s words: The work of language in Hedda Gabler.” Ibsen’s Hedda Gabler: Philosophical Perspectives, 2017, pp. 107, no. and Other Essays. 56, no. Wos-lite, doi:10.3138/md.S89. “Elaine showalter a literature of their own.” Feminist Literary Criticism, 2014, pp. Moi, Toril. Oslo: Cappelen Damm, 2019. “Response to eight respondents to my book Revolution of the Ordinary.” Nonsite.Org. Moi, T. Sexual/Textual Politics: Feminist Literary Theory. “Introduction.” New Literary History 46, no. Anderson, Amanda, et al. Anderson, Amanda, Toril Moi, and Rita Felski. Full Text. Full Text. Scopus, doi:10.1353/nlh.2015.0014. Introduction. Crossref, doi:10.1353/nlh.2015.0012. Toril Moi now works on three projects: (1) The Emergence of European Modernism 1870-1914; (2) Femisist Theory and Women Writers; and (3) "Pictures of Language": on the vision of language in ordinary language philosophy. Blending biography... read more », 201 West Duke Building “Naised: sugu, soolisus ja vabadus [Translation of “Women: Sex, Gender, and Freedom: Thoughts about Equality and Difference” Manuscript written for the Ministry for Equality’s Feminist Research Conference in Tallinn, Estonia, on June 1, 2015].” Sirp: Eesti Kultuurileht, translated by Lea Larin and Roosi Talvik, 3 July 2015, pp. 10, no. 2 (December 1, 2006): 127–40. https://doi.org/10.1353/nlh.2015.0014. Moi, T. Sex, Gender and the Body: The Student Edition of What Is a Woman? Stumhet og kjærlighet: En lesning av Amtmandens Døttre [Muteness and Love: A Reading of The District Governor’s Daughters]. Moi, T. What Is a Woman? Full Text. Moi, T. “Thinking through Examples: What Ordinary Language Philosophy Can Do for Feminist Theory.” New Literary History, vol. 1–76. Full Text, Moi, T. “The adulteress wife.” In On Ne Nait Pas Femme: On Le Devient the Life of a Sentence, 103–13, 2017. https://doi.org/10.1093/oso/9780190608811.003.0006. Toril Moi has three broad areas of interest: feminist theory and women's writing; the intersection of literature, philosophy and aesthetics; and ordinary language philosophy in the tradition of Wittgenstein, Cavell and Austin. Oslo: Flamme Forlag, 2015. Vinje [Toril Moi reads A. O. Vinje], Henrik Ibsen and the Birth of Modernism: Art, Theater, Philosophy. Anderson, Amanda, et al. TORIL MOI is James B. Duke Professor of Literature and Romance Studies, profes sor of theater studies, and professor of English at Duke University. Studies 2019-January, no Introduction, ” 4: iii, 2017. https: //doi.org/10.4324/9781315846163 by moi. 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